Prints
A selection of prints, unique and editioned.
The first three, most recent, prints explore light and surface; overlaying transparent levels to disrupt the flat surface often associated with screen print. Metallic inks reflect the light differently as the viewer changes position. Colours sharpen and soften as the layer above covers and then breaks.
Soft Storm, 2022. Screenprint, edition of 5. 42.5cm x 54cm
Storm Light, 2022. Screenprint, edition of 5. 42.5cm x 54cm
Printed on white Somerset paper with a layer of the ink, Interference Blue, which reflects light and colour
dependant on the substrate and the position of exterior light and the viewer.
Printed on white Somerset paper with a layer of the ink, Interference Blue, which reflects light and colour
dependant on the substrate and the position of exterior light and the viewer.
Detail, Storm Light, 2022
Shallow River, 2022. Screenprint, edition of 5. 42.5cm x 54cm
Details, Shallow River, 2022.
Eve's Libation, 2020. Screenprint, edition of 4. 28.5cm x 38cm
Pitcher, 2020. Screenprint, edition of 4. 19.8cm x 22.7cm
Forbidden Fruit; Pink and Lime, 2020. Screenprint, edition of 4. 19cm x 28cm
Songbird, 2021. Screenprint, edition of 10. 19cm x 28.5cm
Lion, 2020. Unique screenprint.
Star Bird: Bayer's Crow, 2020. Screenprint, edition of 8. 28.5cm x 38cm
Foxtrot, 2020. Screenprint, edition of 8. 28.5cm x 38cm
Royal Astronomical Society.
The two prints below were inspired by research at the Royal Astronomical Society Library, London. Invited by Creativity and Curiosity, an artist and astronomers collaborative project, and funded in my research by the Arts Council, this is an ongoing process with related exhibitions and book works.
Bayer's Serpens, 2019.
Screenprint, edition of 4. 56 x 76cm
Screenprint, edition of 4. 56 x 76cm
What is Our Position? 2019
Screenprint, edition of 2. 38 x 56.5cm
Screenprint, edition of 2. 38 x 56.5cm
Perspectives, 2017
Two boxed sets of nine screenprints. Each box is unique and of the nine prints, five are unique and four are from editions of five. The prints respond to, and revel in, Uccello’s marriage of medieval detail and renaissance structure, evidenced in his obsessive quest to understand perspective.
Boxes- 9 prints; 5 unique, 4 from an edition of 5.
Folios: 4 prints, 2 unique, 2 edition. 41 x 58.5cm
Boxes- 9 prints; 5 unique, 4 from an edition of 5.
Folios: 4 prints, 2 unique, 2 edition. 41 x 58.5cm